Not to be too prone to commend.
Yet to use no consideration at all, but to stand up and make a clamor at every word or syllable, is to offend in the other extreme. Such fluttering fellows for the most part oblige not the speakers themselves, and are always a plague and common grievance to the hearers, exciting them many times against their inclination, and forcing them for very shame to join in the tumult. In the end, he that raised the disturbance receives no benefit by the discourse, but goes away with the character of a scoffer or flatterer or novice. A judge, it is true, ought to hear and determine without favor or ill-will, regarding only what is just and equitable; but in philosophical proceedings the case is altered, where neither law nor oaths tie us up from being favorable to the speaker. And the ancients in their temples were wont to place the statue of Mercury among the Graces, intimating that orators ought to find a propitious and good-natured audience. For they thought it passed all belief, that any man could prove so much a blockhead or come so wide of the purpose, that, though he should make no remarks of his own and quote none of others worthy taking notice of, or though the argument and design of his discourse might not be commendable, yet at least the order and disposition or the style should not deserve some applause; —
As oft amidst the furze and thorny brakes
The tender violets more securely peep.
For if some have undertaken successfully to speak in commendation of vomiting or a fever, and have even made an encomium on a porridge-pot not without some acceptance, certainly a discourse from one that has the least pretence to philosophy cannot but afford some opportunity, though it be a slight one, for commendation to a well-disposed auditory. Plato says that all who are in their bloom in some way excite the amorous man; — the fair are the children of the Gods, the black are manly, the hook-nosed have a look of majesty, the flat-nose gives a graceful air, even the sallow complexion is complimented for looking like honey; in spite of all their defects, he cherishes and loves them all. /4/ Thus love, like ivy, must needs find something or other to lay hold on. But much more will a studious hearer and scholar be sure to find some not unworthy reason for praising every speaker. For Plato in an oration of Lysias, disliking the invention and utterly condemning the disposition as confused, yet praised the style and elocution, because every word was wrought off cleverly and cleanly turned. Thus a man may see cause enough to disapprove the argument of Archilochus, the verse of Parmenides, the poverty of Phocylides, the eternal talk of Euripides, and inequality of style in Sophocles; and among the orators, one has no manner, another is not moving, a third has nothing of ornament; yet every one has his peculiar power of moving and exciting, for which he is praised. Some again do not require of us to testify our acceptance by the voice; a pleasing eye or cheerful look, or a behavior without any thing of pain or uneasiness, is all that they desire. For the following favors are nowadays bestowed of course upon every oration, though the speaker may speak to no purpose at all, — sitting modestly without lolling from one side to the other, looking earnestly on the speaker, in the posture of an attentive listener, and with a countenance which betrays not only no contempt or illwill but not even a mind otherwise employed. For as the beauty and excellence of every thing consists in the concurrence of many different accidents, which contribute to the symmetry and harmony of the whole, so that, if but one inconsiderable part be away or absurdly added, de formity immediately follows; in like manner, not only a supercilious look or forbidding mien or roving eyes or waving the body to and fro or indecent crossing of the legs, but even a nod, a whisper to another, a scornful smile, a sleepy yawn, hanging of the head, or the like, are all likewise great indecorums and to be avoided with particular care.